Celebration station reviews8/12/2023 The omission of older chart-topping hits somehow felt right. Creating an impeccable flow is an art, and on top of the outfit changes, the staging, the colossal props and visuals – each one more opulent and futuristic than the last. There are already numerous reviews about the setlist of the show and its theatrics. Onstage, as exemplified in ‘Pure/Honey,’ her dance squad vogued and slayed, as they’d say “the house down boots,” each dancer getting the spotlight. When the mid-act visuals were not projecting visions of Beyoncé as if a cyborg on overdrive, they were displaying footage of the unabashedly queer disco and early house music scenes. When the party – which is really what the Renaissance album is – got into full swing with 'I’m That Girl,' 'Cosy,' and ' Alien Superstar ' back-to-back, she gave her all to the music, a nod to queer dance culture and everything pioneered by the community: house music, Detroit techno, Ballroom culture, and more. Her expression, magnified on the giant backdrop that would be the canvas for some indescribable out-of-this-world visuals for the rest of the evening, was resplendent and elated –her smile, genuine and earnest. Appearing alone on that massive stage,her unmistakable voice resounding throughout the stadium with 'Dangerously In Love’ (from the first album of her solo career), it felt as though she was trying to take in every single one of the thousands of faces before her. As we waited for the concert to begin, the gigantic screen behind the stage displayed the colours of the Progress Pride flag an indisputable tribute to queer people of colour – who have long counted her among its icons and who she has wholeheartedly embraced – and a nod to the community’s central role in the history of dance music.īefore the time came to “dance all night”, she had a solo moment with her hive. ![]() Among a 62,000-strong crowd, it felt like they knew this night, this music, this tour, belonged to them. Renaissance, her thumping, soul-gripping love letter to the queer community and oded to her late gay “godmother”, Uncle Jonny (as mentioned in 'Heated' ), rallied the LGBTQ+ folx among her Beyhive. It was the perfect temperature for Queen Bey to “f*** up the night. At a crisp, sunny 17 degrees, the half-hour trek to the venue from the nearest tube station (Wembley, where she might have played, prioritised the football), was comfortable enough without having to “fan yourself off”. In case u couldn’t tell this is also my favorite song off EA n my fav song atm.It wasn’t a typical evening in London as Beyoncé came back for her first show in the city in 7 years. little things like that are what makes uzi unique and great. Other: Once again i have to emphasize how fire the choir girl is in the background throughout the song. i also absolutely love the build up from the end of each verse towards the hook/bass drop it’s so fucking amazing and at a show that would get everyone lit. Verses: the verses are very nice relatively short but the flows are amazing. no matter what day i’m having this song never fails to get me up hype asf and screaming TOO MUCH GUAP BANDS BANDS it’s so fire and catchy and has great replay value i never get bored of this song. Hook: This is also one of the best hooks off of EA in my opinion. This is probably one of the best flows off eternal atake if not the best. He also changes his flow up for every single verse, and he even changes his flow throughout the verses. and then the girl singing in the background is so fucking nice n unique and it’s just amazingįlow: Once again holy fuck his flow throughout the entire song is so fucking fire he just slide on this beat. ![]() I absolutely love those fast paced up tempo uzi beats with hella drops after every line. ![]() Production: Holy fuck this beat is amazing.
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